It’s fun to break rules.

As I’ve said many times before, a logo is for identification and not communication. A logo is a lot like your signature. When signing documents, you don’t include your age, weight, hair color, etc. so why do the equivalent with your logo? People just need to know it’s you, they don’t need your life story. Branding tells the story, not the logo. When you see a logo that includes many visual tricks, you can bet it’s because they’re trying to say too much with the logo. 

So, it’s best to keep things simple and try to not do too many tricks. Typically, I try to keep a logo to one single visual trick. But this project was for fun, so we have a lot of tricks going on here. 
  • Japanese flag for the filling, which is also an enlarged dot of the i (using shared DNA from the type)
  • Train tracks and lines inspired from Japanese shrines
  • All together it's like you’re looking face to face with an oncoming train. Made of sushi. Yum
My intent was to make it feel relevant but unexpected: no cliché kanji, no brush strokes, etc. Like Harvard Liquor from my previous post, Sushi Train has one of those so-careless-it's-charming signs. It uses Cooper black, which is a pretty solid choice, but it's set pretty bad.⁠ 
For my logo redo, I wanted to use a typeface that preserved some of the charm from the original sign with Cooper. I found Monarcha bold, and I think it does a pretty good job.⁠
Agree or disagree? Hit me up and let’s talk about it.
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What is a logo Easter egg?

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Stop trying to be so damn clever.